ENTERTAINMENT NEWS
Soap Opera As The World Turns Ends After 54 Years

By FRAZIER MOORE, AP Television Writer

Thursday June 24th

NEW YORK – You can view the clip on YouTube: Dr. Bob Hughes lunching with a fellow doctor in a scene aired live on "As the World Turns" the afternoon of Nov. 22, 1963.

"Shall we get a menu?" Hughes says to his dining companion. "Waiter! I'd like to order. I'm kind of hungry."

That scene was the last the TV audience would see of "As the World Turns" that day as CBS News seized the schedule for continuous coverage of President John Kennedy's assassination.

The young, dark-headed actor who played Dr. Bob, as well as the rest of the cast, completed the show shielded from both the fact of its pre-emption and the terrible reason why.

Only after the episode's final fade-out did they learn of the tragedy, as the actor portraying Dr. Bob, Don Hastings, recalled one day last week. Now 76 and handsomely silver-haired, Hastings was in his dressing room between scenes at the Brooklyn studio the series has called home the past decade. He was still playing Dr. Bob — lately the head of Oakdale Memorial Hospital and, as always, endowed with a perfect bedside manner — just a few months shy of 50 years after landing the part.

But Hastings won't get to reach his half-century milestone in October. On Sept. 17, TV's oldest daytime drama (airing weekdays at 2 p.m. EDT until then) will fold.

On Wednesday, "ATWT" wrapped production forever.

"It's been a job and a home and friendships for 50 years," said Hastings, an avuncular, era-spanning presence as he pondered the series' end. "I don't think it's hit me yet."

The summer after CBS' " Guiding Light" was cut down after 72 years on radio and then television, the doomsday scenario that has plagued soaps for decades has now claimed "ATWT."

ABC's "General Hospital," which premiered in April 1963, will now inherit the title as TV's oldest soap. But who knows for how long?

Used to be, at any given time there were a dozen or more daytime dramas on the networks. Soon there will be only six, with only ABC's " One Life to Live" still originating in New York. The ratings for all of them are a fraction of what they once were, and continue in a downward spiral. "ATWT," ranked last, this season is averaging 2.4 million viewers, whereas in the 1991-92 season, it drew 6.7 million viewers, according to the Nielsen Co.

"This show was created in the 1950s, and now there are different viewing patterns, different economic models, and we're all fighting a tough fight to stay in the business," said Chris Goutman, "ATWT" executive producer since 1999. "Daytime has been in trouble for a long time, and we're part of that bigger picture.

"But when was the time that I thought we were fighting a losing battle? Never. I always think we're going to win the battle. But this time we didn't."

Last December, CBS made it official, a death decree that, paired with the demise of "Guiding Light," marks the exit of Procter & Gamble's production arm from the soap opera business. This, of course, is a company for which the term "soap opera" was coined in the radio era when it began deploying such shows to advertise its detergent and soap products. ("ATWT" took over the studio space where yet another Procter & Gamble soap, "Another World," was taped until NBC canceled it in 1999.)

Like many soaps, "ATWT" is set in a bucolic but scandal-beset Midwestern burg — in this case, Oakdale, Ill. Having always centered on two families — the Lowells and the Hugheses — it premiered April 2, 1956, with mild-mannered Nancy Hughes voicing the words, "Good morning, dear." She was played by Helen Wagner, who was among those seen on that fateful episode the day Kennedy died and made occasional appearances as recently as this spring. She passed away in May at 91.

Hastings and Eileen Fulton (who joined "ATWT" in May 1960 as the vixenish Lisa Grimaldi) are now the senior cast members.

Longevity, of course, is a hallmark of soap operas. Unique in the otherwise mercurial world of TV, the life spans of successful soaps are measured in decades, even generations, not fleeting seasons. Firm bonds are formed by viewers with a soap and its characters, as well as the actors who play them — and keep playing them.

"The idea of being tied down for a whole year challenged my sense of an actor as a gypsy," said Kathryn Hays, who in 1972 returned to New York from California to take the role of Kim Hughes.

"I came back with two suitcases — one full of clothes, one full of pots and pans," Hays recalled. She never left. (For the last quarter-century, Kim has been married to Dr. Bob.)

"It's a different script every day and the life that you're leading in the show moves on, and over a period of years, it's like you're living another life," she said, trying to describe her job's appeal.

"But now your character is no longer going to be there," she went on, her eyes welling, her voice choking up. "You've been living that character for almost 40 years. You invest yourself in that character. I know who she is." Her voice dropped to a theatrical whisper. "She's mine." Like Hays, Marnie Schulenburg has come to value the cumulative power of playing a soap character, even after just three years on the show.

As Alison Stewart, a perky hospital aide and former crystal-meth addict, the 26-year-old Schulenburg noted that on daytime, "when your character has memories, or you're talking about something she's experienced, you've actually been through it with the character in the past — so these are real memories. It's really cool."

Schulenburg is nominated for an acting award at Sunday's Daytime Emmy ceremony — one of 13 nominations snagged by "ATWT."

"I feel like Alison is another person," Schulenburg said. "That's what makes me sad: I'm going to miss her."

"I think I was in shock for a while," said Terri Colombino, who for 12 years has played the oft-wed, ever-looking-for-love Katie Peretti.

The idea of parting company with Katie "feels like a death," she said, wiping her eyes — "which is good that we're having a sad story line at the end, so we can all kind of work through it. It's very cathartic."

But it has also been hard to get through, filled with painful reminders that the show will soon be history. Reminders are even here in her dressing room. Colombino pointed to her makeup mirror. Only four of its bulbs were still lit, the other 14 bulbs burned out.

"They're not replacing them," she explained with a rueful laugh. "Because we're done."

CBS is owned by CBS Corp.

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Mariah Carey Sued By NYC Vet For Unpaid Bill

By Associated Press

Thursday June 24th

NEW YORK – Mariah Carey is in the doghouse with a veterinarian who says the pop superstar hasn't paid nearly $30,000 in bills for three of her prized pooches.

Veterinarian Cindy Bressler sued Carey on Wednesday in a Manhattan state court.

Bressler provided "extraordinary services" for the Jack Russell terriers — Cha-Cha, Dolomite and JJ — but the Grammy Award-winning singer paid only about $8,200 of the roughly $37,800 in charges, the lawsuit says. The bills cover a little more than a month of care.

Bressler's lawyer, Michael C. Posner, declined to elaborate on the dogs' treatment. Bressler, whose website notes that she makes house calls in New York City and the Hamptons and caters to "prominent New Yorkers and celebrity clients," didn't immediately respond to an e-mail message seeking comment.

Carey's spokeswoman didn't immediately respond to telephone and e-mail messages.

The pop diva has made her dogs something of characters in her multiplatinum-selling career, including in some comic video sketches made as part of an MTV.com promotion and posted on YouTube. In one, she and JJ compare the fit of their jeans: "I told you those `fat-free' dog treats weren't fat-free," she scolds.

She also regularly chronicles her dogs' doings on her Twitter feed, from Cha-Cha urinating on her dressing room floor and jumping on her last September to Dolomite stealing her underwear out of a suitcase while she was vacationing in March.

Known for R&B-inflected singles such as "Vision of Love" and "Hero," Carey, 40, has sold more than 50 million albums during her 20-year career. Her 18 No. 1 hits on the Billboard Hot 100 chart put her ahead of every other artist except the Beatles.

Her "The Emancipation of Mimi" was the best-selling album of 2005, selling 5 million copies. Her most recent album, "Memoirs of an Imperfect Angel," was released last year.

She also has appeared in movies, earning praise for her role in last year's "Precious: Based on the Novel Push by Sapphire."

She is married to actor and producer Nick Cannon, and they recently welcomed a new addition to their household: a puppy named Jackie Lambchops, born to Cha-Cha this month, according to Carey's Twitter feed.

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Google & YouTube Win Landmark Case Against Viacom

By Jonathan Stempel and Paul Thomasch Reuters

Thursday June 24th

Google Inc won a landmark victory over media companies as a Manhattan federal judge threw out Viacom Inc's $1 billion lawsuit accusing the Internet company of allowing copyrighted videos on its YouTube service without permission.

Viacom claimed "tens of thousands of videos on YouTube, resulting in hundreds of millions of views," had been posted based on its copyrighted works, and that the defendants knew about it but did nothing to stop illegal uploads.

But in a 30-page ruling, U.S. District Judge Louis Stanton said it would be improper to hold Google and YouTube liable under federal copyright law merely for having a "general awareness" that videos might be posted illegally.

"Mere knowledge of prevalence of such activity in general is not enough," he wrote. "The provider need not monitor or seek out facts indicating such activity."

Viacom said it plans to appeal to the U.S. Second Circuit Court of Appeals.

It called Stanton's ruling "fundamentally flawed," saying it reflects neither Congress' intent behind copyright laws nor recent U.S. Supreme Court decisions.

The lawsuit went to the heart of perhaps the biggest issue facing media companies in the last decade: how to win Internet viewers without ceding control of TV shows, movies and music.

It was seen as a test of the Digital Millennium Copyright Act, a 1998 federal law making it a crime to produce technology to circumvent anti-piracy measures, and limiting liability of online service providers for copyright infringement by users.

New York-based Viacom is controlled by Sumner Redstone and owns cable networks such as MTV and Comedy Central as well as the Paramount movie studio.

It alleged that copyrighted works uploaded illegally included " The Daily Show with Jon Stewart," "South Park," "SpongeBob SquarePants," and others.

"These issues are really important for content creators to protect their intellectual property against the usage by online aggregators," said Laura Martin, an analyst Needham & Co. "It is really important for content creators to get paid.

"This is the beginning, not the end," she went on. "Sumner won't roll over and die on this."

Kent Walker, Google's general counsel, on the company's blog, called the ruling "an important victory not just for us, but also for the billions of people around the world who use the web to communicate and share experiences."

SAFE HARBOR

Google and YouTube argued they were entitled to "safe harbor" protection under the digital copyright law because they had insufficient notice of particular alleged infringements.

Stanton agreed, saying it would "contravene the structure and operation" of the law to "impose responsibility" on service providers to discover which postings infringe copyrights.

The judge added that the act's notification scheme works "efficiently," saying that after Viacom on Friday, February 2, 2007 sent a mass takedown notice covering 100,000 videos, YouTube had removed "virtually all of them" by the following Monday.

Stanton directed the parties to submit a report by July 14 to address any remaining issues in the case.

"Certainly for Google, there's been so many regulatory and legal negative headlines about them, so to see them on the winning side of something will certainly be a positive," said analyst Benjamin Schachter at Broadpoint AmTech.

Based in Mountain View, California, Google bought YouTube in November 2006 for about $1.65 billion.

Earlier this year, YouTube estimated that users upload as much as 24 hours of video to its website every minute.

In court papers, Google had contended that even Viacom managers had uploaded videos after the lawsuit was filed.

SERVICE PROVIDERS TAKE ACTION

Google has developed technology to allow content owners to automate the identification of copyrighted material on YouTube, helping them remove protected content quickly.

It has not been alone in taking steps to protect owners' copyrights online. Media powerhouses such as Microsoft Corp and Walt Disney Co have established their own guidelines.

"The film and television industries learned the lessons of the music industry that you need to fulfill consumer demand in an approved manner and keep those who offer unauthorized access at the fringe," Gabelli & Co analyst Christopher Marangi said.

Today, audiences are accustomed to looking for TV shows or feature films on websites such as ComedyCentral.com and Hulu.com, which is owned by Disney, Rupert Murdoch's News Corp and General Electric Co's NBC.

YouTube itself, meanwhile, is changing as executives try to enter licensing agreements to add full-length programing to the short user-uploaded clips that dominate the site.

"This was a test of the ground rules for the distribution and consumption of online content," Marangi said.

Stanton's decision was posted online just before U.S. markets closed on Wednesday.

Viacom Class "B" shares closed up 5 cents at $35.27 on the New York Stock Exchange on Wednesday. Google shares closed down $4.20, or 0.9 percent, at $482.05 on the Nasdaq. Shares of both companies were little changed after-hours.

The cases are Viacom International Inc et al v. YouTube Inc et al, U.S. District Court, Southern District of New York, No. 07-02103; and The Football Association Premier League Ltd et al v. YouTube Inc et al in the same court, No. 07-03582.

(Reporting by Jonathan Stempel and Paul Thomasch; Additional reporting by Ritsuko Ando and Jennifer Saba; editing by Andre Grenon and Tim Dobbyn)

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D. Wade's Wife Suing Gabrielle Union

By Associated Press

Thursday June 24th

PORT-AU-PRINCE, Haiti – The founder of the

U.S. cable TV company Black Entertainment Television has announced a project for factories that will build construction materials in Haiti.

A press release from Robert L. Johnson says the two factories will build earthquake- and hurricane-resistant panels for housing in Haiti's quake-battered capital and the city of Cap-Haitien.

Johnson announced the project Wednesday during a visit to Port-au-Prince, where he met with Haitian President Rene Preval and Prime Minister Jean-Max Bellerive.

The factories will be developed through a company jointly owned by Johnson's RLJ Companies and South Carolina-based Global Building Solutions. The partnership has built a resort in the West African nation of Liberia.

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